TL;DR, if your paradigm PDR-10 isn’t powering on automatically, check the fuse. It can be easily accessed by removing the back panel of the subwoofer.
Sunday morning and I had the house to myself for a few hours so decided to listen to my favorite recording of Beethoven’s 5th Symphony. Firing up the 3rd and 4th movements really loud always serves to restore my faith in humanity.
Anyway, a few bars into the 3rd movement and I knew something was up with my hifi. My Vandersteen’s sounded a bit thin and I noticed that my subwoofer power light wasn’t on. The paradigm pdr-10 that I have is not a great subwoofer but the vandersteens towers that I have are such that they only need a tiny bit of reinforcement in the very bottom end so it works for me. It is supposed to power on automatically once it detects a signal from the receiver but for some reason it wasn’t powering on and I couldn’t get the light on the front to come on.
I hit pause on the symphony and brought the subwoofer over to my kitchen table where a few screws later I determined that a blown fuse was likely my problem. Unfortunately this was not an easy fuse to source. It is a 1 1/2 amp time delay fuse. My local hardware store, which has EVERYTHING didn’t have it but they did test the fuse I brought in and confirmed it was blown so I knew I was on the right track.
Ultimately I purchased the replacement part from Amazon and finally got around to hearing the 4th movement in all of its bottom-heavy beauty.
I like the hypnotic quality of the instrumental (National resonator guitar) that leads up to the very short lyric part (which is great in its own right). Feels like a combination of atmospheric and folk at the same time. Not that they’re mutually exclusive but listen and you’ll see what I mean.
I’ve been having my mind blown for the past few days by musician Jose Gonzalez. Something about the songwriting on his new album Vestiges & Claws – the way the songs are written around the strengths and limitations of the nylon string acoustic guitar – really drew me in and I ended up going down the rabbit hole and discovering Junip, a band he plays in.
The more I listen to both his solo work and the Junip material, the more I appreciate his guitar playing. From Sweden (born in an Argentinian family), there’s a bit of Nick Drake in his songs.
Start with Line of Fire by Junip on KEXP video:
Here’s a cut off his solo album that will give you a flavor of his picking technique:
You can find his new album on Beats and Spotify or buy it on iTunes. This one, I’m paying for on iTunes even though I can stream it with my Beats subscription.
My wife and I ended up listening to it repeatedly while driving the road to Hana and it’s always been a great favorite of ours, partially because it’s a great melody and lyric but also because listening to Ella execute the vocal acrobatics required to perform the piece is just a joy.
Anyway, I went searching for it on Beats the other day and couldn’t find Ella doing it but came across this version by Kat Edmonson. I’d never heard of her. At times her voice is just a bit too cutesy for my taste but she tackles this one without accompaniment and it’s a real show of vocal dexterity and control.